Art Between 2001750 Ce in Which Light Was Used to Convey Spiritual Meaning

The elements of art are components or parts of a piece of work of fine art that can be isolated and divers. They are the building blocks used to create a work of art.

The listing below describes each element of art. Learn near the principles of design here.

Download a pupil handout containing a list of the elements of art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created by a betoken moving in infinite. It is one-dimensional and can vary in width, direction, and length. Lines often define the edges of a class. Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin. They lead your middle around the composition and can communicate information through their character and direction.

Horizontal lines suggest a feeling of balance or repose because objects parallel to the world are at remainder. In this mural, horizontal lines also help give a sense of space. The lines delineate sections of the landscape, which recede into space. They also imply continuation of the landscape beyond the picture show plane to the left and right.

Vertical lines oft communicate a sense of acme because they are perpendicular to the earth, extending upwards toward the sky. In this church interior, vertical lines propose spirituality, ascension beyond human accomplish toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of movement. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either virtually to fall or are already in move. The angles of the ship and the rocks on the shore convey a feeling of move or speed in this stormy harbor scene.

The curve of a line can convey free energy. Soft, shallow curves call up the curves of the human body and often accept a pleasing, sensual quality and a softening issue on the composition. The edge of the pool in this photograph gently leads the heart to the sculptures on the horizon.

Shape and course

Shape and form define objects in infinite. Shapes accept two dimensions–top and width–and are usually defined by lines. Forms exist in three dimensions, with height, width, and depth.

Shape has only height and width. Shape is usually, though not ever, defined by line, which can provide its contour. In this image, rectangles and ovals boss the composition. They describe the architectural details for an illusionist ceiling fresco.

Form has depth as well every bit width and acme. Three-dimensional class is the footing of sculpture, furniture, and decorative arts. 3-dimensional forms can be seen from more than one side, such every bit this sculpture of a rearing horse.

Geometric shapes and forms include mathematical, named shapes such every bit squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are frequently human-fabricated. However, many natural forms also have geometric shapes. This cabinet is decorated with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are often constitute in nature, only man-made shapes can also imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Space

Real space is three-dimensional. Infinite in a piece of work of art refers to a feeling of depth or iii dimensions. Information technology can also refer to the creative person's use of the surface area within the picture plane. The area around the chief objects in a work of fine art is known equally negative space, while the space occupied by the primary objects is known equally positive space.

Positive and negative space
The relationship of positive to negative space tin greatly bear on the impact of a work of art. In this drawing, the man and his shadow occupy the positive space, while the white infinite surrounding him is the negative space. The asymmetric amount of negative space accentuates the figure'due south vulnerability and isolation.

Iii-dimensional space
The perfect illusion of three-dimensional space in a two-dimensional work of fine art is something that many artists, such every bit Pieter Saenredam, labored to accomplish. The illusion of space is achieved through perspective drawing techniques and shading.

Colour

Lite reflected off objects. Color has three main characteristics: hue (crimson, green, blue, etc.), value (how light or night it is), and intensity (how bright or dull it is). Colors can be described as warm (reddish, yellow) or cool (blue, gray), depending on which cease of the color spectrum they fall.

Value describes the brightness of color. Artists use color value to create unlike moods. Nighttime colors in a composition propose a lack of calorie-free, as in a night or interior scene. Dark colors tin often convey a sense of mystery or foreboding.

Light colors often describe a light source or calorie-free reflected within the composition. In this painting, the dark colors advise a dark or interior scene. The artist used light colors to describe the light created by the candle flame.

Intensity describes the purity or strength of a color. Bright colors are undiluted and are oft associated with positive free energy and heightened emotions. Dull colors accept been diluted by mixing with other colors and create a sedate or serious mood. In this epitome the artist captured both the seriousness and the joy of the scene with the tiresome greyness stone interior and the bright red drapery.

Texture

The surface quality of an object that we sense through touch. All objects have a concrete texture. Artists can besides convey texture visually in two dimensions.

In a 2-dimensional piece of work of art, texture gives a visual sense of how an object depicted would feel in real life if touched: hard, soft, crude, smooth, hairy, leathery, sharp, etc. In three-dimensional works, artists use actual texture to add a tactile quality to the work.

Texture depicted in ii-dimensions
Artists utilize color, line, and shading to imply textures. In this painting, the man's robe is painted to simulate silk. The ability to convincingly portray fabric of dissimilar types was ane of the marks of a great painter during the 17th century.

Surface texture
The surface of this writing desk is metallic and hard. The hard surface is functional for an object that would have been used for writing. The smooth surface of the writing desk reflects calorie-free, adding sparkle to this piece of furniture.

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Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

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